In Inkling of an Unembarrassing Postmodern Religion, I suggest that a certain sense of humour is needed to
sustain a naturalistic spiritual perspective, one that’s viable despite modern
science’s disenchantment of the world. But what is comedy and how is it
relevant to existential cosmicism? I’ll address these questions in order.
What is Comedy?
There are several types of comedy, but the relevant one has
been explained as an instinctive response to the perception of cognitive incongruity. When a concept is
used to make sense of some real situation, but the concept doesn’t fit, there’s
pleasure in recognizing and rectifying the disharmony by supplying the
appropriate concept. This is the basis of irony, for example. Irony is a
discrepancy between intended and literal meaning. For example, suppose a dog
owner is worried that his dog will bite people, so he muzzles the dog when walking
him, but then during the walk the dog owner is mugged and the dog is rendered useless
for defense. The owner intends to
protect bystanders and ultimately himself from the repercussions were his dog
to harm someone, since he would be responsible. But what the owner effectively does is harm himself, by
preventing his dog from attacking someone who should be attacked. (This example
is derived from a Sergio Aragones cartoon.) So the owner’s thought about
walking his dog, that he’s being a responsible owner for protecting public
safety, doesn’t fit the facts of the situation he finds himself in. This sort
of story is amusing, because in recognizing the incongruity we see both the
mistake and the correct way of thinking about what happens: we recognize the
dog owner’s faulty, doomed conception of what he’s doing, and we add the
correct conception, which is that by muzzling his dog the owner unknowingly
exerts much effort in sabotaging his welfare.
In his book, On the Problem
of the Comic, Peter Marteinson develops the Incongruity Theory, explaining
that laughter restores the anthropomorphic hallucination of the world, by
distracting us from situations that demonstrate the world’s impersonality.
Normally, he says, we project social categories onto nature, personifying the
world so that we feel comfortable in it, treating the wilderness as society’s
mere backyard, as it were. (See Existential Cosmicism and Technology.) The alternative is to worry about whether a
horrible mistake has been made in some cosmic boardroom, when creatures like us
evolve who are predisposed to seek the comfort of social belonging but who are
intelligent enough to discover that they’re surrounded on all sides by alien
territories that stretch to infinity, by the entire natural universe outside of
our artificial dwellings. (See Curse of Reason and Lovecraftian Horror.)