While scientists study God, priests and theologians tell us
flattering fictions. Theistic religions are about superpowerful people, but God
isn’t personal. God is the supreme creator. God is obviously, then, nature
which creates and develops itself before our eyes at every moment. God or
Nature does so by means of causality. God has a vast, sprawling body but no
mind. God is therefore monstrous. God is the natural universe, since
natural forces and materials comprise methods for actualizing every
possibility. We are therefore surrounded by an abomination that reaches out to
distant galaxies and dimensions that we can never hope to reach, and our bodies
are made of the same monstrous stuff. By a quirk of the monster’s evolution,
however, our minds are free to impose a supernatural, which is to say
artificial, order to replace the natural wilderness. God acts through
causality, the satanic rebels like us through ideality, through purpose
and intelligent design and existential resentment. To know God, we needn’t pray
or read preposterous and outdated scriptures; instead, we must understand
causality. What is it for one thing not just to come before another, but to
cause it?
Three Approaches to Causal Knowledge
Aristotle famously answered that question by basing all
causal explanations on the explanation of a sculpture. We can inquire, then,
into material causes (how what something’s made of changes it), formal causes
(how a thing’s structure or type changes it), efficient causes (how other
things interact with it to change it), and final causes (how the thing’s end
changes it, such as by drawing it towards that end). Only two of these causes
turned out to be objectively natural, the material and the efficient. Formal
causes depend on the concepts we bring to bear, and final causes apply only to
artifacts, not to nature. To be sure, we can
inquire into the purpose of rain or of sunshine, but in so far as we’re
philosophical, we shouldn’t trust mass opinion since most people don’t love
knowledge. Knowledge is a burden since most of what’s
there to be known is horrific, and most people prefer to be happy than to be
acquainted with the elementary facts. Artifacts are created by minds and
natural creations are monstrous precisely because they’re produced by no mind
at all.
We know now that matter as well as time and space themselves
evolved, that most types of particles spread like seeds from exploding stars
which in turn flicker into being from nebulas, the earliest of which emerged
soon after the Big Bang. Prior to those “stellar nurseries,” the universe was
practically immaterial. This is to say that material explanations aren’t
essential to natural ones; nature isn’t
necessarily material, just as it’s not necessarily made up of stars and
planets and empty space. The universe evolves and there may even be a
multiverse encompassing all quantum possibilities. So-called efficient
causation is closer to the core of nature’s divine creativity—except that
“efficient,” like finality (Aristotle’s final cause), is tainted with
teleology. We speak of efficiency as
a kind of best performance according to the criterion that time and effort
shouldn’t be wasted. Applying that criterion to nature is ludicrous since the
universe is maximally wasteful. In the fullness of time and in the evolution of
universes, everything comes to be, so there’s obviously no effort taken in
nature to discriminate, to discard possibilities, to favour one
eventuality over another. If in one corner of the universe something rather
than something else obtains, wait a while or travel elsewhere and you’ll find
that very other thing which it looked like the universe was excluding because
it could be produced only by an inefficient system that generates everything in
the spectrum of possibilities. Efficiency is a luxury for living systems that
can conceive of ends and can choose to work towards one rather than another,
but it’s also a burden because to care about efficiency, your time and effort
must be limited. The universe has neither that luxury (mentality) nor that
burden (ephemerality). Its processes have no absolute beginnings or ends, they
spread out over eons and intergalactic territories, and they unfold through
every conceivable convolution and happenstance.
Nevertheless, for the most part, the basic idea of natural
causality is that one thing interacts with another to change it. David artificiality is bizarre, that the relative autonomy of minds in
general is virtually supernatural. Knowledge is thus no mere additional
physical mechanism, but a meeting of supernature with nature, a clash between
satanic rebels and their hideous creator. Hume argued that that’s all
we’re entitled to conclude is objectively part of causal connection, which is
that Y has followed from X in certain observed cases. As soon as we add that
there’s a necessary connection between two things, that X brings about Y
because X is bound somehow to do so, we project our subjective expectation onto
the evidence from our senses. Unfortunately for Hume’s self-refuting
empiricism, as Kant pointed out, that’s just what knowledge is, a certain
coming together of a mind with the rest of the world. Hume mocked so-called
rationalist philosophers for positing “occult” powers and forces which are
nowhere perceived. He thus failed to realize that all
Historically, there have been three approaches to causal
knowledge. The first is socialization,
in which lipstick is applied to the pig of the monstrous universe, and the
headless cosmic body is personified by animists, theists, and teleologists so that they and their huddled and deluded
flocks can avoid feeling adrift and alienated from the world. Just as
children are socialized by a process of domestication, which is to say that
they’re taught how to be sociable so that they can perform some function in a
dominance hierarchy as opposed to being ostracized, so too the world is tamed
by the human imagination. We project categories that properly apply only to
minds onto the nonliving world; we do so not gratuitously but because that’s
how we evolved to interact with the other. We’re social mammals so we
instinctively socialize, meaning that we construe the other as being like
ourselves, interpreting its patterns in familiar terms, thus anthropomorphizing
it. The result is that we posit gods and other superpowerful beings with which
we can interact in the standard ways, by communicating with them (bargaining through
prayer or social hierarchies), by double-crossing or obeying or befriending
them, and the like.
The second approach is artificialization,
in which the pig of nature is turned into the philosopher’s stone, into
something we engineer to be more appealing, to satisfy all our desires. This
kind of understanding, which positions mind well with respect to the world,
proceeds by scientific analysis of the heart of nature, of so-called efficient or
mechanistic causality, so that that heart can be altered. This is the purpose of
empirical knowledge, the application of knowing how the world works so that
natural ends might be avoided or accelerated as the case may be.
Artificializers posit not hidden gods and other superhuman persons, but indirectly
observed objects such as atoms, forces, or mathematical structures, which are natural realities just in so far as
they’re stripped of their terrifying existential significance. Thus, instead of
being frozen into inaction upon learning that natural events have no purpose or
nonhuman social status, we’re equipped with information that mitigates the
inevitable doom that follows from the indifference of those events.
Notice that both of these kinds of knowledge aren’t just
matters of cogitation; they involve collective interactions with the world.
Socializers of nature form religious organizations that fortify communities,
while artificializers combine the often solitary study of the world with applied
mathematics, engineering, business enterprises, and indeed all realistic human
effort that’s based, in effect, on an understanding of nature’s monstrosity,
restraining the imagination in making use of common experience. Both, then, are
social in scope: the one extends society to cover the whole cosmos, while the
other erases the cosmos, including animal aspects of society and of ourselves,
in service to a new world of our creation.
By contrast, the third form of knowledge, the existential, is primarily a solitary
revelation, a dawning of horror that’s at the root of the other two forms. We
socialize the natural world because we fear our true God’s palpable inhumanity.
We artificialize the wilderness because we’re people who look down on animals for
being in the barbaric grip of natural selection, because we’re primordially
terrified of the horrors that lurk within the shadows or that hunt at
nightfall, which is why we worship the light, why we huddled around the
campfire, prized our torches and lanterns, and leapt to employ electricity to
banish darkness forever. The wilderness is the world in so far as it’s not
controlled by us, and we’re most helpless in the dark, because we have
relatively poor native night vision. The deepest understanding, then, derives
from the experience of alienation from the world, from the realization that
even when we stick together, we’re collectively alone and estranged from
everything that’s mindless. If the awakening to our cosmic insignificance has a
social aspect, it’s the inspiration of artists and prophets and other
antisocial outsiders who supply the vision that directs the other two social
enterprises, that is, the content of religious myths that justify class
divisions, and the technological innovations that are supposed to make a
hedonic paradise on earth. Effectively, existential
knowledge is insight into the nature of God: what we sense is that theistic
religions are based merely on anthropocentric tall tales, that in reality there
is no personal God but only Nature, and that each person is therefore a tragic
wonder, a miracle consigned to oblivion. The existential facts are awesome but grim and so the fundamental,
often esoteric knowledge is the existentialist’s interpretation of a mystical
experience of the universe’s wildness, which is its naturalness.
Truth and Socialization
You might be wondering whether the interest in objective
facts—and thus a fourth kind of knowledge, one we might call realistic—is more fundamental, since we
can ask the metaquestion of whether the existentialist’s sense of nature’s
monstrosity and of our ultimate helplessness within the cosmic sea of
impersonal changes, for example, is true.
However, the notion of a statement’s truth as a correspondence relation between
the symbols’ meaning and some fact is rather part of the socialization process
and thus falls within the ambit of the first kind of knowledge. To speak of an
agreement between a statement and some other part of the world which the
statement is about is to posit a unity between how we think and how the rest of
the world works. In science, for example, the realist (such as the Platonist) maintains
that scientific rationality is reflected in the natural order and that
mathematical formulations of laws correspond to the world’s deep structure. But
this implies that nature is fundamentally mental, that a personal deity, for
example, is responsible for natural patterns and that descriptive laws of
nature are really prescriptions which match the virtuosity involved in
scientifically discerning them or the divine intelligence that designed them in
the first place. In either case, a statement’s truth makes sense as a kind of
agreement only if the mentality that produces the statement is shared with the
natural fact to which the statement refers. Otherwise, meaning is attributed to
the statement by way of mass hallucination and the statement (or the theory,
lecture, etc.) consists of squiggles that bear no special agreement with
anything outside the speaker’s head. Naturalists
mock animists and theists for their naked mental projections of personhood onto
inanimate natural processes, but naturalists who presuppose a realistic
conception of truth likewise seek to socialize with an alien, impersonal
wilderness.
Indeed, the use of language itself to pose the realist’s
metaquestion is inherently socialistic in the above sense. Language was
originally no mere utilitarian endeavour, but was caught up in the mythopoeic
mindset which had no distinction between subject and object and which
thus interpreted natural processes as magical. For example, spells would have
been cast, with magical incantations, to impose desired changes on the world,
such as a rainfall or an elder’s speedy recovery from illness. In fact,
linguistic symbols may once have functioned like mirror neurons, which
are those neurons that facilitate the learning of bodily actions, by simulating
the action’s performance. When a father picks up a fork to eat, the son who’s
learning how to eat at the table will eventually do likewise, in part because
the son observes the father and certain neurons are thereby activated in the
son’s brain, which are just those neurons that will eventually be activated to
trigger the son’s motor cortex, causing him to pick up the fork at some point
in the learning process. Mirror neurons stand between perception of others and
action, keeping the two in balance in the social world, grooming the perceiver
to fit in by causing her to mimic others’ behaviour. Similarly, linguistic
symbols may originally have been offered naively as the equivalent of mirror
neurons, except that instead of regulating bodily actions in an actual social
context, they would have stood between the inner mind and the outer world in
general. When language was invented in the childhood of sapiens prehistory,
there would have been no clear separation between the inner and outer worlds,
so language may have developed as an offshoot of mirror neurons, which evolved
to regulate social behaviour; that is, the early language users may have
presumed that natural events could likewise be regulated with a sort of mirror.
In the mythopoeic mindset, names were thought to hold power over the named, so
that to utter the magic word was to control the referent. This ideal is
evidenced in the Genesis myth of Creation, in which reality reflects God’s
speech: he merely speaks and what he says becomes so.
At any rate, existential knowledge, which is the experience
of angst, horror, or awe due to the realization that God, the supreme creator,
is a freak and a behemoth and thus that all our dreams and ideals are transient
and absurd, shouldn’t be confused with the other approaches to knowledge,
although they’re related; as I’ve said, if anything the existential experience
underlies the other two kinds. But to ask
whether nature really is monstrous is
to use language and thus to fall back on a mythopoeic invention whose original function
we’ve long forgotten, but which would likely humiliate us and undermine our
pretenses were we to become privy to it. We assume that scientific language is
the height of intellectual sophistication, but we resort to the default
intuition that the success of such language lies in its capacity to get at the truth, as though that latter notion
weren’t riddled with archaic conceptions bound up with adorable hominid pastimes
such as socialization. There’s the sense
of horror in light of the evident absence of any divine parent, and then
there’s the talk of that feeling.
Both are ways of acquainting ourselves with facts, but while the latter is at
least consistent with the childlike endeavour to socialize with the world,
existential experience tends to withdraw the knower from society. Existential
knowledge is subversive; it weakens social bonds and calls into question the
conventions that lend credence to the authority of those subcriminal sociopaths who tend to run societies. Both mirror neurons and mirroring linguistic symbols
spread mentality like a virus, duplicating behaviours even if only in the
theistic imagination. So being
language-based, the realist’s metaquestion doesn’t open up a fourth kind of
knowledge, but reverts to socialization.
Fear of the Face of God
If existential knowledge (the experience of horror, angst, and
ecstatic madness) is fundamental, what does it tell us about God’s nature? What
face of God (of supreme creativity) does it present us, by recording our
reaction to the essence of natural causality? As I said, matter isn’t so
essential to causality, but neither is the division between cause and effect. Prior
to the evolution of matter, space and time, stuff may somehow still have
happened: a singularity may have formed, a virtual particle may have popped
into actuality from a field of quantum potentiality—or however that exotic
event should be covered with human rationality according to the goals of socialization
or artificialization. The essence of
causality in nature is that the happening
of a natural event differs fundamentally from a mind’s purpose-driven steering
of some course. Causality differs from intelligent design, choice and
action. Natural events happen for no reason whatsoever, according to the third,
existential kind of knowledge. When we posit reasons and indeed causes in that
sense, we engage in socialization or artificialization, which begin as just some
hominid behaviours. The mystical
experience of nature involves realizing that the world is absurd, that our
rational schemes are pitifully irrelevant because the rest of the world is
headless, whereas we live inside our heads; while we’re preoccupied with
our social hierarchies and with the rest of our artificialities (our languages,
arts, technologies, cities, and so on), the world in which we’re embedded doesn’t
care and doesn’t agree with us. We evolve by adapting to our environment, which
provides the illusion of some fitness, but the entire saga of life’s evolution
on our planet is a vanishingly small sideshow in the cosmic course of changes.
That greater course, the becoming of natural events and
their eventual interactions is the face of God which is most honourably
confronted first by the existential outsider, then by the artificializer, and lastly,
with hardly any honour at all, by the socializer. The deepest knowledge, that
is, the most honest way of positioning minds in relation to the rest of the
world in general begins with a feeling of nature’s impersonality. Social
mammals like us balk at that understanding, initiating the neo-satanic
rebellion through artificialization or the childish retreat to the theistic
imagination. The natural universe is the totality of one thing’s happening because
of another, where that happening isn’t due to any calculation or preference but
just because. To understand the implications of what’s absent from the philosophical
naturalist’s positing only of material and efficient causes is to realize our
bleak destiny as hopelessly foolish creatures. We’re self-absorbed, which is
understandable because the evolution of selves is effectively miraculous, that
is, anomalous and unnatural in so far as selves tend to undo the natural
wilderness. But as heroic as our counter-creations may be, they are dwarfed by the
galactic products of No One. God is great indeed, but only in that the universe
is so abominable that it doesn’t need a personal creator, which means that it
also doesn’t need us, the appalled turncoats
who dwell within its bowels. Natural
operations negate every aspect of mentality even as the most sophisticated
minds endeavour to nullify the unchosen world.
maybe this is too personal but when my mother died there was no god or angelic being near her. No God. Raul
ReplyDeleteA god or angel would be invisible, so how would you know whether one is present or not? You mean she didn't report somehow encountering one at the time? I suspect near death experiences are just powerful dreams or psychedelic trips, based on innate DMT, as I explain in these articles:
Deletehttp://rantswithintheundeadgod.blogspot.ca/2012/12/the-psychedelic-basis-of-theism.html
http://rantswithintheundeadgod.blogspot.ca/2014/01/awake-while-sleeping-dmt-and.html
http://saynotolife.blogspot.com/2015/11/iphonitis.html
ReplyDelete