We instinctively fear the unknown and the alien. The ancient
way of coping with the world’s palpable indifference to our hopes and dreams
was to personalize natural forces, to think of the world as a society of
spirits who are only hidden from view, like dear friends who have gone off to
foreign lands but with whom we can still keep in touch (with prayer or animal
sacrifices). The world became one big family and no one was left homeless,
kicked to the curb as an alienated and demoralized outsider. Instead of having
to be horrified by the world’s strangeness, we extended our delusions about our
personhood onto the manifestly impersonal world, and so instead of looking
natural reality in the face, we surrounded ourselves with distorting funhouse
mirrors. There were no more alien forces, because fellow people were everywhere!
See that lightning strike? That was a sign of Zeus’s fury. Here that volcano?
That was bubbling from the underground abode of the dead.
Modern science came along and shattered those mirrors.
Descartes captured the urgency of the moment when he distinguished between the
outer and the inner worlds, and thus between the horrifying impersonality of
matter and the comforting familiarity of the ego. Modern egoism itself, though,
has come undone in our postmodern limbo, and so now we’re unknown even to ourselves.
Our spirits have fled us in our unbelief. Not only is the universe far too
large and alien to be anyone’s home (not even a sociopathic plutocrat’s), but
we’re no longer even like snails with their portable shelters. We’re alienated
from our bodies, as scientists naturalize more and more of us. We too are just
mammals, evolved machines obeying natural laws, which are really not laws at
all, but alien rhythms of the undead god’s decay.
When cognitive scientists come to master the brain within the
next few decades, the disenchantment will be complete and our homunculi will be
banished from our carapaces. The world will be only a monstrosity of interlocking
shells, of former homes of shiny, happy spirits holding hands, now known to be
undead machines, some of which have control mechanisms and even the capacity
for false hope for escape from the grotesque corpse of nature. We cynical and
selfish dupes replace the theist’s longing for the spirit world to show itself
in the afterlife, with the technoscientific civilization’s re-engineering of the wilderness. We wield our second-order machines to
infuse our values and other delusions into the original skeletons that dance
all around us to the Halloween doom metal which is the music of the spheres,
recreating natural processes in our hallucinated image. Thus are we sophisticated
postmodernists still arcane animators of the undead.
Here, then, are three Western portrayals of this
relationship between the self and the terrifying impersonality of the
disenchanted world. These portrayals aren’t exhaustive, but perhaps they’re
instructive.