What is the first genre of fiction? In other words, what
purpose was served by the invention of the story, that is, of communication
that departs in some respects from what’s really happening?
Strictly speaking, the very first verbal departure from
reality would have included memories (confabulations) and prescriptions
(statements meant to depict how things should
be). Indeed, any statement that doesn’t capture exactly how events are playing
out is to some extent counterfactual. This includes predictions of how events
will probably unfold, since predictions are at least partly conjectural. Even
commonsense generalizations, such as, “Tomorrow the sun will rise” don’t limit
themselves to reporting how precisely certain sense data are received and
processed, and so these, too, are fictional. For that matter, since all words
in natural language are partly analogical and idealistic, there’s no such thing
as nonfiction in ordinary discourse. Even artificial languages that are
designed to be rigorously literal and precise aren’t purely adequate to the
facts, since scientific languages are motivated by the desires to understand
and to control, which add human spin and interpretation to proven theories and laws
of nature.
But let’s put aside that hyper-skepticism, to inquire about
fictions in the sense of stories that are intended
to depart somehow from the facts, as opposed to statements that are meant to be
factual but that nevertheless fail to be perfectly fact-based. Notice, though,
that there’s no such thing as pure fiction in that sense, since no one would
bother to tell a story that had nothing to do with reality. Even a lie that’s
therefore known to be false is told as if it were true to protect some hidden
interest. At most, a genuine fiction is a
story that’s entertained as true as we suspend our disbelief because we ought
to know the story is false in certain crucial respects.
Fear and Arrogance, Gods and Superheroes
What, then, motivated the first tall tales? Two impulses
seem likely influences on the invention of fiction: fear and arrogance. In so
far as nature was frightening, we escaped into soothing fantasies. Also, pride
in our accomplishments easily corrupts our character, leading to
overconfidence, and some of us are victims of the Dunning-Kruger effect,
meaning we’re often not smart enough to recognize our tendency to err, which
frees us to exaggerate our cognitive skills. We likely expressed such
ill-gotten pride by boasting in story form, identifying ourselves with our favourite
heroic characters. The former mechanism (fear) amounts to ignoring or
suppressing facts belonging especially to the external world that frightens us
because of its alienness or indifference to our preferences, while the latter
(arrogance) deviates from internal facts, from how we, too, fail to live up to
our conceits.



























